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Lee Oskar Melody Maker Harmonica G

$ 22.96

Availability: 100 in stock
  • MPN: 1910MM-G
  • Refund will be given as: Money Back
  • All returns accepted: Returns Accepted
  • Brand: Lee Oskar
  • Condition: New
  • Return shipping will be paid by: Buyer
  • Instrument: Not Available
  • Item must be returned within: 30 Days
  • Restocking Fee: No

    Description

    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp
    Lee Oskar Melody Maker Harmonica G
    Play melodies that are impossible on standard diatonics.
    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp.
    Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro.
    The Dane's Design
    Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.
    More Keys and Modes
    Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch.
    About Lee Oskar
    Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone-put to great use blowing horn-like unison riffs with saxman Charles Miller-gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elements a distinctive lead voice. This was especially true after the departure of vocalist Eric Burdon. The former Animals singer had been a focal point for War on early hits like "Spill The Wine." The band's eclectic and fluent mix of genres proved a rich fount leading to a string of '70s and '80s hits, usually with Oskar's distinctive harp riffs providing the signature sound.
    Smooth plastic mouthpiece is easy on your lips
    All key components are replaceable
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    New Gear: If you’re not satisfied, neither are we. If for any reason you’re not completely satisfied with your purchase of a new item, simply return it in its original condition within 45 days of purchase (see exceptions below) and we’ll give you a full refund. It’s that simple.
    Returned items must be in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes on the instrument or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.
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    Limitations and Exceptions
    Returns of the following products must be made within 10 days of shipment - Stringed instruments priced at 99.00 or more. The following products cannot be returned – Clearance items, Apple products, items identified as non-returnable, discontinued items, electronic software downloads, demo gear, vintage instruments, strings, reeds, computers, tubes, earbuds, earplugs, recorders, tin whistles, flutophones, "world" wind instruments, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluid, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.The following fees apply to Band & Orchestra returns - All returned woodwind and brass instruments incur a .00 sanitization fee. Returned bows are assessed a .00 restocking fee. Returned mouthpieces over 0 incur an .00 sanitization fee; the fee for mouthpieces under 0 is .00.